{"id":261,"date":"2017-07-16T13:14:37","date_gmt":"2017-07-16T11:14:37","guid":{"rendered":"http:\/\/echographique.com\/?page_id=261"},"modified":"2024-03-15T21:57:07","modified_gmt":"2024-03-15T20:57:07","slug":"a-propos","status":"publish","type":"page","link":"http:\/\/echographique.com\/index.php\/a-propos\/","title":{"rendered":"\u00c0 propos"},"content":{"rendered":"

[\u00c9chos graphiques<\/span><\/em> de ce qui advint, de ce qui resurgit, fait surface.]<\/p>\n

\"\"

Lazare is watching Julian House’s Ghost-Box Broadcast @Une Saison Graphique 13.<\/p><\/div>\n

The exhibition section offers a selection of hanging devices, specially designed for graphic design, typography and animated images.<\/h2>\n

It is a matter of indexing, classifying, archiving approaches of contextualization of a disciplinary field, objects and shapes resulting from the command. In the second place, it will be necessary to redefine its regimes, but, above all, these graphic echoes<\/em> are for many of them, testimonies, traces, through the exhibition, a recontextualization outside their own field. For this reason, many projects will be discriminated against, for example, signage, space planning, field prospecting, communication and valorisation projects.<\/h2>\n

In this way, it is not a question of finding a contemporary definition of “what is graphic design (?)<\/em>” But rather of crossing approaches, establishing a cartography of the systems of monstrations, their actors, to speculatively observe their strategy of enunciation, focus.<\/h2>\n

To facilitate reading, and even if this blog officially saw the day a 14th of july, 2017, during a visit to the Design Museum of Ghent, a chronological approach was chosen. Thus, and even though articles are published daily, these same items are anti-dated to the date corresponding to their related event.<\/h2>\n

La section exhibition<\/em><\/a> propose une s\u00e9lection de dispositifs d’accrochages, d\u00e9di\u00e9e tout particuli\u00e8rement au design graphique, de la typographie, de l’image anim\u00e9e.
\nIl s’agit l\u00e0 d’indexer, de classer, d’archiver des approches de contextualisation d’un champ disciplinaire, d’objets et de formes issus de la commande. La commande, il faudra dans un second lieu red\u00e9finir ses r\u00e9gimes, mais, avant tout, ces \u00c9chos graphiques<\/em> sont pour nombre d’entre-eux, t\u00e9moignages, traces, par le biais de l’exposition, d’une recontextualisation hors de leur champ propre d’application. Pour cette raison, seront discrimin\u00e9s, par exemple, nombre de projets de signal\u00e9tique, de mise en espace, de prospection du champ, de communication et de valorisation (…).
\nAussi, il ne s’agit en rien de trouver dans ce parcours une d\u00e9finition contemporaine d’un “qu’est ce que le design graphique (?)<\/em>“, mais plut\u00f4t de croiser des approches, d’\u00e9tablir une cartographie des syst\u00e8mes de monstrations et de leurs acteurs, d’observer sp\u00e9culativement leur strat\u00e9gie d’\u00e9nonciation, des focus.
\nPour des raisons de lecture, et m\u00eame si ce blog a vu officiellement le jour un 14 juillet 2017, \u00e0 l’occasion d’une visite au Design Museum de Ghent<\/a>, une approche chronologique a \u00e9t\u00e9 choisie. Ainsi, et, m\u00eame si des articles sont publi\u00e9s journali\u00e8rement, ces m\u00eames articles sont anti-dat\u00e9s \u00e0 la date correspondant \u00e0 leur \u00e9v\u00e9nement aff\u00e9rant.<\/p>\n

[Edit 2017.07.16] La section, non exhaustive, sera compl\u00e9t\u00e9e par les dispositifs de :
\nM\/M (Paris) \u2014 Not in fashion
\nRichard Niessen \u2014 A Hermetic Compendium of Mansonic Typography<\/del>
\nMonozukuri II
\nRaphael Garnier \u2014 Une vison Ere<\/del>
\n Catherine Guiral \u2014 Pierre et ast\u00e9risque<\/del>
\nFanette Mellier \u2014 P & P – Nimes<\/del>
\nFanette Mellier \u2014 Pangramme – Cambrai & Une Saison Graphique<\/del>
\nGr\u00e9goire Romanet – Macules et Conception <\/del>
\nJulian House \u2014 Memory Project<\/del>
\nHelmo \u2014 Stratigraphie – Une Saison Graphique<\/del><\/p>\n

Erik Brandt \u2014 Ficciones Typographika<\/del>
\nLes plus beaux livres fran\u00e7ais, 2009<\/del>
\nS\u00e9lection internationale, Chaumont 2017<\/del>
\nBreda Design Festival \u2014 Resolute<\/del>
\nBreda Design Festival \u2014 De coding
\nBreda Design Festival \u2014 17 to 27 April 2014, the fourth edition of the biennal Graphic Design Festival Breda (GDFB) will be held. The festival explores current developments in the field of graphic visual culture and presents it in the historic centre of Breda. This 2014 edition investigates the role designers play in a process of change and offers the public a guideline to apply this process in a personal context<\/del>.
\nGr\u00e9goire Romanet\/ Fanette Mellier \u2014 Encroyable<\/del>
\nMathias Schweizer \u2014 Malamerde<\/del><\/p>\n

Gr\u00e9goire Romanet\/ Fanette Mellier+Betty Bone \u2014 Livre \u00e0 vous<\/p>\n

Sacha Leopold, Charles Beaut\u00e9 \u2014 Monozukuri, formes d’impressions<\/del>
\nEspace Bouchardon, Chaumont<\/del><\/p>\n

Ed Fella \u2014 Documents
\nhttp:\/\/fotokino.org\/Ed-Fella-Documents<\/a><\/p>\n

Flag \u2014 De l’autre C\u00f4t\u00e9<\/del>
\nFlag \u2014 Jar NYC
\nVincent Perrotet et Anette Lenz
\nEd Fella \u2014 Document
\nStephan Sagmeister, Happy Show
\nOstengruppe\u00a0– Une Saison Graphique<\/del>
\nSilvia Tournerie \u2014 Enregistrement – Une Saison Graphique<\/del>
\nL’agence du doute \u2014 Crystal Maze<\/del>
\nPeter Bankov \u2014 Posters as Diary
\nShoboshobo \u2014 Silk Sheets
\nChange is good \u2014 Music is Good
\n\u00c9lo\u00efsa Perez \u2014 Pr\u00e9lettre
\nhttp:\/\/www.designmadeingermany.de\/2011\/51124\/
\nNigel Waymouth \u2014 The Golden Needle (http:\/\/www.itsnicethat.com\/news\/nigel-waymouth-art-110817)
\nCurrency \u2014 State of motion (http:\/\/currencydesign.info\/project\/state-of-motion-2017\/)
\nTer Bekke et Behage (http:\/\/www.terbekke-behage.com\/exposition-saison-graphique<\/a>)<\/del>
\nhttps:\/\/www.we-heart.com\/2014\/06\/24\/limewharf-machines-room-london\/<\/a><\/p>\n

Sitography : http:\/\/exhibitiondesignclub.tumblr.com\/archive<\/a><\/p>\n

Echographique.com est conduit par Jean-Michel G\u00e9ridan.
\nRemerciements particuliers \u00e0 Mariina Bakic, Gilles Dupuis, Virgile Laguin, Pierre-Yves Cachard qui m’ont ouvert leurs archives et documents photographiques.<\/p>\n

Soumettre un dispositif :
\ngeridan77[at]gmail.com<\/p>\n","protected":false},"excerpt":{"rendered":"

[\u00c9chos graphiques de ce qui advint, de ce qui resurgit, fait surface.] The exhibition section offers a selection of hanging devices, specially designed for graphic design, typography and animated images. It is a matter of indexing, classifying, archiving approaches of<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"http:\/\/echographique.com\/index.php\/wp-json\/wp\/v2\/pages\/261"}],"collection":[{"href":"http:\/\/echographique.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/echographique.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/echographique.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/echographique.com\/index.php\/wp-json\/wp\/v2\/comments?post=261"}],"version-history":[{"count":31,"href":"http:\/\/echographique.com\/index.php\/wp-json\/wp\/v2\/pages\/261\/revisions"}],"predecessor-version":[{"id":1194,"href":"http:\/\/echographique.com\/index.php\/wp-json\/wp\/v2\/pages\/261\/revisions\/1194"}],"wp:attachment":[{"href":"http:\/\/echographique.com\/index.php\/wp-json\/wp\/v2\/media?parent=261"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}